{"id":9267,"date":"2022-12-20T14:30:36","date_gmt":"2022-12-20T17:30:36","guid":{"rendered":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/?post_type=product&#038;p=9267"},"modified":"2025-12-02T02:17:08","modified_gmt":"2025-12-02T05:17:08","slug":"fios-da-meada-e-colcha-de-retalhos-2-livros-em-1","status":"publish","type":"product","link":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/produto\/fios-da-meada-e-colcha-de-retalhos-2-livros-em-1\/","title":{"rendered":"Fios da Meada e Colcha de Retalhos (2 Livros em 1)"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>SUM\u00c1RIO FIOS DA MEADA<\/strong><\/p>\n<p>I. NA TRILHA DOS PESQUISADORES \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.9<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>1. Jornalismo latino-americano, reencontro identit\u00e1rio \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..11<\/li>\n<li>2. Para al\u00e9m dos dogmas \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..19<\/li>\n<li>3. Intera\u00e7\u00e3o social e solidariedade org\u00e2nica \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..27<\/li>\n<li>4. O toque autoral dos bons sentimentos \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u202635<\/li>\n<li>5. Ciranda das gera\u00e7\u00f5es \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.39<\/li>\n<li>6. O imagin\u00e1rio na malha do real \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.45<\/li>\n<li>7. Televis\u00e3o para qu\u00ea? \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u202648<\/li>\n<li>8. Telinha e cotidiano, conflitos e asas da liberdade \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. 57<\/li>\n<li>9. A for\u00e7a da outra verdade \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. 61<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>2. DI\u00c1LOGOS COM PARCEIROS DE PESQUISA \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u202667<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>10. Da po\u00e9tica \u00e0 transcend\u00eancia do tempo \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u202669<\/li>\n<li>11. O que define o jornalista como autor? \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..72<\/li>\n<li>12. Cenas de afeto e admira\u00e7\u00e3o \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.79<\/li>\n<li>13. As m\u00faltiplas faces da censura \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u202690<\/li>\n<li>14. Caleidosc\u00f3pio ibero-americano sob a \u00f3tica de Jos\u00e9 Marques de Melo\u2026.111<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>3. INQUIETA\u00c7\u00d5ES EPISTEMOL\u00d3GICAS E O GESTO A ARTE \u2026\u2026\u2026\u2026\u2026\u2026137<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>15. No af\u00e3 de reportar a saga coletiva \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.139<\/li>\n<li>16. Narradores do autor-Jornalista \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.154<\/li>\n<li>17. Do difusionismo \u00e0 dialogia democr\u00e1tica \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026174<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>4. PONTO DE PASSAGEM \u00c0 COLCHA DE RETALHOS \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.193<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>18. Em busca dos mitos fundantes \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026195<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>SUM\u00c1RIO COLCHA DE RETALHOS<\/strong><\/p>\n<p>I. O LUGAR DA LITERATURA \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..7<\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>1. O romance como narrativa fundacional \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u20269<\/li>\n<li>2. Fic\u00e7\u00e3o, reportagem e historiografia \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..23<\/li>\n<li>3. A literatura na era da incerteza \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u202647<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>2. LEITURAS E COMENT\u00c1RIOS \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.55<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>4. Euclides da Cunha, um inventor \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.57<\/li>\n<li>5. Estrela guia para marinheiros de primeira viagem \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..62<\/li>\n<li>6. O visitante tardio \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.67<\/li>\n<li>7. O mundo coberto de penas \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.75<\/li>\n<li>8. O amante de Mata Hari \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u202682<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>3. ENSAIOS GERAIS \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..93<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>9. A invas\u00e3o das abelhas assassinas \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u202695<\/li>\n<li>10. As respostas da cultura do mutir\u00e3o e da epifania \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..105<\/li>\n<li>11. O gigante sob suspeita \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026130<\/li>\n<li>12. Riquezas e injusti\u00e7as do Brasil \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..145<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>4. C\u00cdRCULOS CONC\u00caNTRICOS \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..157<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>13. Caminhar sobre as \u00e1guas \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..159<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><strong>Caracter\u00edsticas do Produto:<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>PESO: 0,420 Kg<\/p>\n<p>I.S.B.N. FIOS: 978-85-69350-27-9<\/p>\n<p>I.S.B.N. COLCHA: 978-85-69350-28-6<\/p>\n<p>ALTURA: 23,00 cm<\/p>\n<p>LARGURA: 16,00 cm<\/p>\n<p>PROFUNDIDADE: 2,40 cm<\/p>\n<p>N\u00daMERO DE P\u00c1GINAS: 372<\/p>\n<p>IDIOMA: Portugu\u00eas<\/p>\n<p>ACABAMENTO: Brochura<\/p>\n<p>C\u00d3D. BARRAS FIOS:\u00a09788569350279<\/p>\n<p>C\u00d3D. BARRAS COLCHA:\u00a09788569350286<\/p>\n<p>ANO DA EDI\u00c7\u00c3O: 2019<\/p>\n<p>AUTORA FIOS: Cremilda Medina<\/p>\n<p>AUTOR COLCHA: Sinval Medina<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>H\u00e1 muito tempo Cremilda e Sinval Medina planejavam escrever um livro a quatro m\u00e3os que n\u00e3o seguisse o modelo dos in\u00fameros trabalhos assinados por ambos sem fronteiras de autoria. Surgiu assim a ideia de reunir em um s\u00f3 volume duas obras ao mesmo tempo aut\u00f4nomas e insepar\u00e1veis, que n\u00e3o se tocam, mas se comunicam como c\u00edrculos conc\u00eantricos em um espelho d&#8217;\u00e1gua. Ou como os fios da meada se entrela\u00e7am na colcha de retalhos.<\/p>\n<p>Colcha de Retalhos apresenta artigos, cr\u00f4nicas e ensaios em 170 p\u00e1ginas, enquanto Fios da Meada traz textos saborosos, f\u00e9rteis reflex\u00f5es a partir de obras com as quais Cremilda dialoga ao longo de 200 p\u00e1ginas.<\/p>\n<p>Cremilda Medina, al\u00e9m de orientar alunos de doutorado na ECAUSP, dirige oficinas de escrita para pessoas idosas na USP60+ (antiga UATI \u2013 Universidade Aberta \u00e0 Terceira Idade) e oferece tamb\u00e9m um curso de narrativas no Espa\u00e7o Longeviver ligado ao Portal do Envelhecimento.<\/p>\n<p>Saiba mais sobre Cremilda Medina acessando o link: <a href=\"https:\/\/revistalongeviver.com.br\/index.php\/revistaportal\/article\/view\/810\/869\">https:\/\/revistalongeviver.com.br\/index.php\/revistaportal\/article\/view\/810\/869<\/a><\/p>\n","protected":false},"featured_media":9271,"comment_status":"open","ping_status":"closed","template":"","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":""},"product_brand":[],"product_cat":[67,66,69],"product_tag":[70,68],"class_list":{"0":"post-9267","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-ebooks","7":"product_cat-livros","8":"product_cat-todos-livros","9":"product_tag-ebook","10":"product_tag-livros","11":"pmpro-has-access","13":"first","14":"instock","15":"shipping-taxable","16":"purchasable","17":"product-type-variable"},"_links":{"self":[{"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/product\/9267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/comments?post=9267"}],"version-history":[{"count":4,"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/product\/9267\/revisions"}],"predecessor-version":[{"id":29758,"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/product\/9267\/revisions\/29758"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/media\/9271"}],"wp:attachment":[{"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/media?parent=9267"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/product_brand?post=9267"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/product_cat?post=9267"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/edicoes.portaldoenvelhecimento.com.br\/novo\/wp-json\/wp\/v2\/product_tag?post=9267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}